Sunday, February 28, 2010

Play the Game

Uffie is fantastic. This video has so many great aspects, but mainly it's great because so many things seem familiar: the clothes, the house, the people.
And once again, Ke$ha has nothing on you Uffie!

Bang Bang, You shot me down...

Day 17 of 28 Days of Warhol:

Well, we have appeared to have almost abandoned this Warhol extravaganza; however, I believe there is much more to say about Andy, which is why we shall continue this journey, despite tomorrow being March 1st. We will proceed, no matter how long it takes.

The photo to the left is of Andy's marred body after his attempted murder by actress Valarie Solanas. Andy almost died from the incident. He was pronounced "clinically dead" but the doctors managed to get his heart going again and 5 hours of intense surgery.

Solanas said she shot Warhol because he had too much control on her life. She also said "I just wanted him to pay attention to me. Talking to him was like talking to a chair." Talk about a motive.

Read the whole story here: Andy Warhol Almost Dies

Friday, February 26, 2010

On to the next one







My version of the Cobra snake's party photos, as
if it can be matched.
Daniel Wesley, Frankie McQueen, and friends
All photos copyright @ThymeWarp.


Creamy Steve

When you see the White Snow Leopard live, he makes a slave out of you. This remix of the Rooney song "When Did Your Heart Go Missing" has made me cream for months. It's about time I've posted about it. Enjoy!

Wednesday, February 24, 2010

Can You Get It Up?

I haven't thought much of Rihanna in the past, until I saw this. Gold Star, for now...

Brush, Brush Away...

I am well aware that we live in a visual culture.

Artists create works of art full of symbols and signals.

I often wonder where the ideas come from?

Why did they create this certain persona, etc.


Someone sent me this article about Lady Gaga and the Illuminati (http://vigilantcitizen.com/?p=1676) and after reading several other articles by the author, I am trying to grab some insight on it.



The author writes about Metropolis, the 1927 Fritz Lang film. I'm highly interested in German expressionist films and I did my term paper on this particular film. The author of this article claims that the film is about mind control and using robots to maintain control etc.


In the film, the scientist makes a robot in the likeness of Maria, the people's advocate. Maria did not consent and conspire with the scientist to make a robot of herself like the author says. Maria was captured by the scientist and he performed experiments on her to transform the robot into her likeness. If Lady Gaga is a willing participant in this mind control by the music industry like the author says, she cannot be compared to the character Maria in the film.


Metropolis is yes, about robot mind control, but it is also about war, fascism, the plight of the working class toiling away in the factory. It relates more to socialism than it does government mind control. In the end of the film, the true Maria tries to stop the robot from controlling the workers. She tries to save the people from the destruction, and she does succeed in ending the turmoil.


Although, what the author writes about Beyonce and Rihanna seems somewhat accurate. Rihanna was a "good girl", just singing about music and dancing. Until her "Good Girl Gone Bad" album. She seemed to have changed her image over night. Everyone was talking about her "new look" etc. And she just kept getting darker and darker. Like she sold her soul to the devil? As soon as she went darker, her album sales jumped.


Before I read the analysis of "Run This Town" by Jay-Z, I kind of wondered what it was about? I still do. The lyrics didn't seem to be telling at all. It wasn't talking about sex or money so it must be talking about fame?or something else.


This also made me think of how Beyonce and Gaga recently joined up for two songs, which just struck me as, a extremely odd collaboration. Not their style at all. I still wonder why they chose to do so.


So the author, from most articles I have checked out, is really saying that the music industry is using superstars like Gaga to control the population for evil purposes. This theory is not revolutionary, but it may be far fetched, maybe not.


A while ago, I read this book published in the 80's about how rock bands worshiped the devil and were brainwashing teens to become satanists and fornicate all the time. I thought the book was silly, but not completely crazy.


So in 2010 terms, rock music is a dying breed. So maybe the satanists needed some other type of stars to control the minds of people. So they took in control over the pop music industry. They have the right medium and can do it subliminally. Right?


It all reminds me of the song "the Devil Went Down to Georgia", and how the man sells his soul to the devil in order to play like a fiddle god. Fame comes with a price after all.


Think about the demise of Britney Spears. She was and innocent girl (Think "Hit Me baby One More Time" video), the music machine got a hold of her, made her into a star(think "I'm a Slave for You" era), and then a monster. I don't think she will ever recover. And think about how fucked up she was a year ago. She probably still is.


One thing that does not sit well into this theory yet, is someone like Taylor Swift. Where does she fit in? How is she being controlled by the music industry?

Or the Disney owned Jonas Brothers and Miley Cyrus. They have received immense fame and there is no evidence of symbols or whatever. The author has a theory. And that's all it is, just a theory.


Maybe we are just reading too much into it. But then again those who do not question, must then be accepting it.

Those who do not question anything in life, follow along like sheep to the slaughter.

All I am really saying is, watch what you are feeding your mind. Question the images you see, wonder where the ideas come from. Think of the message behind it. Don't just eat up the music/images like it's porridge to your soul.


Stop Tempting Me!

Yes little Chuy from Chelsea Lately.
You are also a muse.
I don't blame Chelsea Handler for adopting you
at all, you nugget.

Monday, February 22, 2010

Screw the Champagne Shower...

Oh Vampire Weekend. You finally made a music video worthy of appreciation. "Giving Up the Gun" is filled with blazing tennis fire balls, Jake Gyllenhal drinking booze in short shorts, Joe Jonas (?), and a milk shower. This should be enough to convince you to watch it.

You Can Call Me On The Telephone

Day 16 of 28 Days of Warhol
We're getting a little behind I see...

Warhol was not only obsessed with Polaroids. He was also very much into talking on the phone, which is why the gift to Jim Morrison of a telephone was so fitting.

Warhol loved to spend hours talking on the phone. He would record some of the conversations he had with friends on the phone. To Warhol the phone is, what the voice recorder was to Hunter S. Thompson. It was the crucial communication device that bound the genius to his work and the public. If Warhol did not love the telephone, he would have been quite the isolated man.


Connections

Day 15:

Here is a connection.
Back in the 60's, Andy Warhol at one point requested to meet Jim Morrison from the Doors. As history has it, Warhol gave Morrison a telephone as a present that night.

Sunday, February 21, 2010

Polaroids Pt. 2

Day 14 of 28 Days of Warhol:






My 2010 interpretation of Andy's Polaroids. It would have been much more suiting if I used a polaroid camera

Go for it Tiger

We are aware of my current obsession of this particular ginger, so it's no surprise that more posts about him are on their way. The below video is a commercial for Target and it is just plain ridiculous. Watch in awe of the ginger, whom I will now reference as Tiger.

The Snow Leopard hits it hard!

Yes, this happened last night.
The Dim Mak invasion in Edmonton, AB
with JFK, Steve Aoki and Felix Cartal.
Epic show filled with Lion King remixes, Piggy-backs, tweets, and lots of havoc.







Dining it up at Cactus Club Cafe (via twitter)


Thursday, February 18, 2010

We are all Golden!

This ginger has me in a bad way.
Dearest Shaun White, Gold medal Olympian.

Any friend of Rolling Stone, is a friend of mine.
I remember 5 years ago I use to have a poster of White on the wall of my bedroom. I think I may have to bust that out again.

Epic, gorgeous and oh that smile...

Screen Tests

Day 13: Andy's film Screen Tests set to music

Polaroids

Day 12 of 28 Days of Warhol- The polaroids



Thursday, February 11, 2010

Good Bye

Today the fashion world mourns for dear friend Lee McQueen (of the fashion house Alexander McQueen). He was found dead this morning at his London home.
McQueen was more that a designer. He was defineatly an artist, creating pieces that go way beyond the stetches of imagination. McQueen was innovative and made fashion and exciting place to roam in once again.
R.I.P.
Here's a video of his most recent collection
Muse.
You lovely MK

Wednesday, February 10, 2010

The Repetition Kills You..

Day 11:
This post relates to "What I have in common with Andy Warhol" and repetition:

"Marilyn Monroe was the embodiment of female glamour. Her wavy blond hair, open smile and full figure were stereotypical components of an American beauty ideal.

Pop artist Andy Warhol, who made works about postwar consumer culture, mass manufacture, and commercial reproduction, worked with an iconic photograph of Marilyn Monroe that was familiar to virtually the entire nation. He printed multiple versions of this same image in a colorful grid.

This print comments not only on the star's iconic status as a glamorous figure but also on the role of the star as media commodity- as a product of the entertainment industry. Marilyn the icon can be infinitely reproduced for mass consumption, thanks to the technologies of photography and commercial printing. Warhol's work emphasizes one of the most important aspects of contemporary imaging technologies.

The multiple images of Monroe emphasize that cultural icons can and must be mass distributed in order for the star herself to have mass appeal."
(From Practices of Looking: An Introduction to Visual Culture.)

Warhol understood this art of reproduction. He understood that through repetition he could make a statement about commodities, icons and America itself. The image of Marilyn repeated over and over was like giving the entertainment industry a big middle finger, and Warhol knew it.



Wander away...

Edward Sharpe and the Magentic Zeros will be making an appearance at Bonnaroo this year.
Such an epic group. Earlier today I described them as A spaghetti western done by hippies.
I don't know what that means either, but yet I still feel the description fits.

The below video (an 8 minute epic, part of a 12 installments) is a desert fantasy. It makes me want to suck the moisture out of a cactus, take some peyote, and wander the desert in a hand knit poncho.

Tuesday, February 9, 2010

What I Have In Common With Andy Warhol

Day 10-This is part of an article that I wrote:

Commonalities between a "Superstar" and a small town girl can exist. I feel that I connect with Andy in many ways, more than the average Warholian fan. Andy Paperbag is "abstract" and seems "superficial" or rather an empty/void, but I find him relatable on many levels.


Andy did not like to be touched. He liked to be a voyeur, an external observer, and physical contact seemed obscene. Andy would have liked to touch, but he did not like to receive touch in return. This is how I feel. I do not like to be touched. I don't like to even be touched by my mother. When someone attempts to hug me, I kind of cringe and shrink away. The physical connections between people seem irrelevant. I like to connect with people visually and through the abstract way: words. When I go out dancing, I do not like to be touched by the other people dancing around me(which is difficult at a club). I like to dance in my own world, with my own frame of reference. This is how it is-you can look but you cant touch. And if you touch, it is because I have allowed this physical interaction to happen.


Andy felt like a prisoner in his own body. Much like the Portrait of Dorian Gray, Andy felt like the disfigured painting of something that once was beautiful.


Andy liked Repetition. Take the soup cans,coke bottles, the Marilyns, polaroids, etc.


Andy liked the trashy and obscene. He liked to showcase it, flaunt it. Decadence.


Andy was the director. He was the true artist. Coming up with the concepts and ideas, and getting others to act them out, paint them, make them into reality.


Andy liked celebrities and Fame. He had a fascination with their faces(silk screening them onto a canvas) and their lives. He took his friends and made them into mini celebrities, Making them famous on their own accord; making them into "Superstars".


Andy liked to take photographs. He liked how they portrayed "reality" or his version of staged "reality". He was always taking polaroids of friends and things around him.


Was Andy decadent? Did he live to excess. I think he had lived quite a simple life at home. The Factory/studio was his playground. Perhaps the people around him were extravagant and he was just a pawn, an illusion of decadence.


Was Andy a dandy in his own right? Did he live like Oscar Wilde as a peacock displaying his feathers. I don't think so. I think what appears to be decadent of Andy is actually the props he used to hide his insecurities (ex- his trademark silver wig).


These Days.

Day 9:
The Velvet Underground
The Factory's house band.
Fabulous Lou Reed.
In 1967, the album The Velvet Underground and Nico was released
with Andy's famous peel-off banana on the cover.
I'm not a fan off Nico.
She appeared cold and robot, kind like an animal with a void behind her eyes.
Although her solo track "These Days" is excellent.
Check out the songs:
"Stephanie Says", "Venus in Furs" and "White light/white heat"

Monday, February 8, 2010

The Silver Factory Pt. 2



















Muses



Muses make the world more glamorous by the second.
Take note.
Audrey Hepburn, Twiggy and Mary-Kate Olsen.

The Silver Factory

Day 8:
The above photo is of Andy on the infamous couch
at the Silver Factory located at 231 East Forty-Seventh Street.

A brief blurb on how the factory came to be:

"In November of 1963, Andy Warhol moved his studio into what came to be know as the Silver Factory.
Located in a non descript midtown Manhattan neighbourhood in the east Forties, the new space was an enormous loft on the fifth floor: In early 1964, he met twenty-one year old Billy Linich, soon to be Billy Name- a fixture on the downtown art scene who lived in a silver apartment. Warhol asked him to do the same thing to his studio.
In POPism he wrote, 'It must be the amphetamine but it was the perfect tie to think silver. Silver was also the past-the Silver Screen...And maybe mor than anything else, silver was narcissim-mirrors were backed with silver.'
Linich worked for several months in early 1964 plastering the raw space with aluminum paint and tin foil, transforming it into the mythic Silver Factory."

The make shift shrine

Day 7:
My make shift Warhol shrine.
It's not yet complete.
Includes 4 Warhol works, 2 Grand Marnier ads
and 1 Lady Gaga photo.

Sunday, February 7, 2010

Connections

Day 6:
Everyone's connected. You know, the six degrees of separation?
I'm six steps away from Warhol apparently. However, Madonna is only one away from Warhol.

In a recent Rolling Stone interview Madge explain the connection:
"At that time I was hanging around with a lot of graffiti artists, Futura 2000, Keith Haring and Jean-Michel Basquiat. Jean-Michel introduced me to Andy Warhol. I remember we were all at a Japanese restaurant on Second Avenue and Seventh Street, where Keith had done a bunch of drawings on the wall, and Jean- Michel was telling me how jealous he was of me being on the radio. Because he thought that I had a more accessible form of art, and more people would be exposed to it. Andy told him to stop complaining."

"Keith and Andy did four pieces fro me as a wedding present when I married Sean (Penn). They're pictures of me from the cover of The New York Post when all the nude photographs of me came out in Playboy and Penthouse. The headline says 'I'm not ashamed'. So they took all the Post covers and painted over them. They're in my house in L.A. - a sign-post, a watershed moment..."


Day 5 of 28 Days of Warhol

Day 5:
So behind on these 28 Days of Warhol.
This is a photo of Edie, Andy, and Chuck Wein, in 1965 on the streets on New York.
These were the happy days...

Thursday, February 4, 2010

Invasion of the Leopard Coat!


Here's the leopard in its prime.
On the back of Kate Moss and draped on another model.
Fabulous

Yes. It's all I can say...

Yesterday, I almost fell out of my chair when I went on Twitter. I almost had a full out explosion in front of a silent room of 30 people.

It was announced that the beloved Strokes are in the studio working on a fourth album.

All I can say is....Yessss! This is music to my Stroke hungry ears. It's been straight up famine until Julian did a cameo on that Lonely Island song "Boom Box" and then release his solo album.
Now, with this recent news, truly all my dreams and fantasies can now come true.

Poor Little Rich Girl

Day 4:
This is a still shot of Edie Sedgwick from Andy's film "Poor Little Rich Girl" from 1965.
Yes again with the leopard print coat. There's more to come.

Wednesday, February 3, 2010

Button of Wonders

Day 3 of 28 Days of Warhol
This is the blazer and pin I wear with pride and joy.
I received this pin at an art gallery
and I like to flaunt it on a regular basis, like tomorrow.

Like a True Rolling Stone


It's my dream to own a leopard print coat.
Both muses Edie Sedwick and Kate Moss are both in on the idea.
(photos from http://www.whatisrealityanyway.com/)

You're the Boss, Applesauce

Day 2:
She is Mr. Warhol's most famous Superstar. She is Edie Sedgwick: a glamourous, old money, drug riddled, superstar.

Her demise was not pretty but her rise to fame sure was fabulous.

She roamed the streets of New York wearing a leopard print coat and also had a tryst with a certain Folk singer (Bob Dylan). Sedgwick is quite and intriguing muse.

Watch the movie Factory Girl or read "Girl on Fire" to find out more about her.

Tuesday, February 2, 2010

I'ma Be In Your Haus

Today marks the drop of Steve Aoki's newest single feat. Zuper Blahq called "I"m in the house." Check it out at itunes.

And if it is even possible to remix the White Snow Leopard himself, here is a remix of the new track

Monday, February 1, 2010

Day 1 of 28 Days of Warhol

Day 1:
To commemorate this epic month I ordered a book from Amazon.com called Andy Warhol: Giant Size. I saw it in the bookstore and almost exploded when I looked at the glossy pages, but I had to order it online instead.

It arrived at my mailing address via UPS 3 days ago. I was pumped and busted open the box. My family came over to check out my parcel, and they were not impressed. I believe my mom said "Andy Warhol is a freak" or something to that effect.

This is the same reaction that I received from my family when I took them to check out an Andy Warhol exhibit. My dad saw some penis sketches, and then told me he was going to wait outside on a bench.

Anyways, the front calls it a "comprehensive visual biography of one of art's greatest personalities" and says "extraordinary insight into his world of glamour, sex, and fame." Just from these statements, I know this is the book for me. It weighs 9 pounds on its own. It's such a beast, but I can't wait to look though it intensely. I may end up cutting out some of the pictures.

28 Days of Warhol

It's time to start another countdown.
The month of Feb. will be dedicated to the legend that is
Andy Warhol.
All 28 days of the month will be dedicated
to all things Warhol: art, music, fame, fashion, celebrities.
I think this is going to be quite the trip.